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achingly so. “sea,” you could say
and between each crest I would see
your eyes slivers of lashes, downturned.
CRACKLING MOON VISIBLE
ON THE EASTERN SEABOARD,”
I see tick below talkshow.
here is an imagined forecast
clear skies, scattered stargazers
until dawn milks the dulcet night
sore from crystal sugar deposits
centuries accumulated in your mouth
is this shore like the moon or the horizon
do you know?) in the corners,
ruby gums, shining cavities likely
this evening when a low pressure front
locates the pliers for loosening
another dream of pearls in a whirlpool,
of the summer hail plinking windows finally
overwhelming the clatter of my falling teeth—
the weatherman I elect to be
on the drive to the windy city
removes his tie and suit to bask
in the unique dark of his childhood
until then, the spaces between
skin, sheets, the carpet fibers
and the bottom of the door
where a strip of light rests
April.i. modern sensory.
one: hoop earring shimmers
deep in the cut of city light
as she stands the chill of thin
fabrics, the other just sang
thru the slats, clinked off the top
of the subway car below her feet, passing;
day gone by in best threads
and ten triple C tablets; look
she gets from all passers-by of her
in cold, in a dress, high… the one
that increases intensity with each
wrinkle under the eye; and echoing
thought of mother, reminding how
many zeros were in the cost
of the last pair of heels daughter
stole and wore, then ruined or lost while out.
two strikes: of middle class protesters
over prime sidewalks that have led to
noteworthy deaths; of proverbial lightning
in the same underground tunnel (her golden hoop lands just feet
from the band of a man who didn’t end up
marrying his fiance, a story of similar weight
to the aforementioned [but future tense] tale
of Tanya’s, it goes like so: Jerome met Idris
at a sit-in where J wore a fitted jacket and
The Age of the Wasp.There is heavy noise
in the other room and my head
bounces full of heavy
heavy weighted things
that I wish I could tell
I know or knew. The building
feels flatter and flatter
beneath my tired shoes
and I release air with difficult
pushes out into the still gentle a/c that
tickles over my arms, a goodbye from fair
weather, a rattling doorknob. I kissed
you and then,
for a different goodbye lightly
brushed my hand on your face and neither
could have kept me warmer. I will always
be in the twilight even if the sun somehow stopped
the earth and returned me back
to June, to the hopping / hotel rooms and the / rippling island of sidewalks
and dirt paths. the secret green heart I heard shaking its
own trees against the sheet glass
only grew for a time of honeybees and its now
the age of the wasp.
I am stingers and fear in others
and myself. I die on the window
and the death at all points
afterward will need to be cleaned
Fragment 2conventional development of a memorial out of bland symbolism and a "contemporary" sensibility involving phallic steel work + endless dematerializing glass or untreated raw roman concrete like the effigy we were too self obsessed to set on fire we were saving for the long absent libido
SonarHonestly don't know
Where the Hell is
Our light house, stood up
On fallacies of rocky coasts
Awaiting night time liners.
We turn days, years over
Nights that swim thoughts
With wading tidepools
And deep ends oceans old,
Unspecific. Past points
In existence where photons whir
To silhouette Earth's tumbling
Light houses stood up like pins
At lane ends, each of us
Soon ricocheted, collapsed into
Honestly don't know
Where the light house
We eyed with curious fear
A serpent more afraid and prostrate
Than us, than its cobra raise
Or rattle might entail, a tower made
Derelict by global position
The Elderly.cover the elderly in flowers
and go ahead and give them their architecture
their hollowed fluted columns covered in vine
ivy vines and corinthian florets and vegetal
give them doors. closing and opening at their focus
and at their "remember the opening of
the memorial highway?" how they could now
borrow suzie's husband's pickup any old saturday
and be there in half the time
to the endless heaven of open marketplace
can buy anything there
in a peace of mind haven treehouse in the blood
jungles spilt nectar and flies all about
just let the elderly have the joy
infants get coming in
with comfy strollers and
expectant children. with colors
marketed to them and a shower thrown
when the date is set to celebrate
the going out, the deathday
it was not planned, but it was in course
so let the abandoned asphalt fill its cracks
with lemongrass and resilient roots
sing joy to every pillar in its rise or its fall
the presence marked until the marker's overgrown
To you who writes until you bleed and cry and diei. You aren't the ruins of Greece.
You don't combust into fascination when the black
rose you planted years ago finally bloom and poison
your veins and stop your heart beat in black splotches
and dirty grenade. The Earth won't mould trees or
ocean or clouds into your image when rust seeps into
your wrist, turning you into a sculpture of grey hands
and silver blood. You won't smile knowing a spider is
creeping up your throat, spider webbing your tongue and robbing your voice away.
ii. You can't tame a wild boar with tombstone nails.
You don't have to get why your wounds rot like
the speed of a full-on hail storm and why others
have bowstring smile and pretty eyes all the
damn time. You don't have to know why your
musical box blasts in gunfires and thunderbolts
while other have rose tattoos exploding in fierce
fireworks and adrenaline-rushing stage fire. You
can't tame a wild boar with tombstone nails and
scraped metallic heart. You can't love yourse
The Female SuicideTwenty years of nursing
emergency room wounds
and my grandmother
puts down her fork, rubs
her brow and tells me
the female suicide
is a more methodical,
A woman will close
the curtains, cleanse
their apartment of clutter
for the first time in months
and proceed to overdose
in the comfort of their
A woman will do this
because she is aware
someone will have to
discover her like this.
Someone will have to
bury her like this.
My grandmother says this
because when my uncle speaks
paramedic about the male
he pronounced dead from
a house’s television antenna
he never mentions a burial.
the cultivation of neophiliai.
give in to it:
the insatiable restlessness
that haunts, heavy
in a familiar corner
of your eyeline.
drive toward the night.
halt only when you
can no longer
trace paths of neon
from streetlight to fingertip;
never quite reach the
eventually, stop trying.
look over the paper city
resting fragile below;
tear it to shreds
with vicious intent
forget that you have
loved and hoped and
for a moment
there is only you,
the night, and the need
desire like you've
never wanted anything,
search for the novel,
for the fantastical
and the faintest hint
of something new
in the sky-glow.
stand so high atop
wonder how they do not
under the weight
of all this empty
A Ball Of CherriesImagine life
like a ball of cherries.
You can't eat many,
Don't rush to eat them!
Some are soft,
Don't go too slow, you'll lose the taste.
storiesi begin and end with stories
where hummingbird hearts play sonatas
against my ribs and i drown in
early morning light and
the girl in me sinks into the sea
like rusting anchors chained to
ships and i sway port and starboard
the lion in me rises like lazarus
from the savannah where dust swirls
and i begin and end with stories
where i swallow the world and all
the rain and girls and lions in it
where i hold it up like atlas,
where i support jupiter with just
an index finger and where i chase
comets and cup them like fireflies
to hang on my bedroom walls
Blooming Through CrevicesBlooming Through Crevices
People are characters;
their personalities are not to be cracked,
but to bloom.
Codes and signals
Setting our sights
On how to see
Through the cipher.
Optics opting for options
As opposed to conscious.
Ardor replaced by harder
To break through exteriors.
But mortality is only one facet
Of the entirety of humanity.
It is a compass of one being,
But merely a piece of the puzzle
That makes up human composition.
let us not break through empathy
with deductive methodology
but rather with the rhythm
of a honeybee whistling along the hymn
of the wind whispering in the leaves.
humanistic, holistic ideologies
is what the standard can be.
it is the notion of being a metaphor
rather than being something to decipher.
because there are more stars and galaxies
in poetry than there will ever be algebraic
expression curls up with ambiance
under the window pain of a picture frame
because we write more about
broken bones and broken birdsdragonflies buzz between
your tangled fingers
seeking nectar under
your chewed nails,
but the bitter burn
of almond acid will
clip their mosaic wings.
you're centered at
nature's core, a
centrifugal force of gravity,
grasping and dragging
lives to your unforgiving
you strangled the wild
whistling hare underneath
the billowing willow, and
your tongue tripped into
compulsive lies and disbelief.
i mean c'mon, clearly,
it was an accident.
if that's the case
the blue-eyed raven
that crashed to earth
after striking a third
degree burn, should
have survived, but you
plucked feathers from its
wings and drowned it.
you have a way with
decaying everything you
touch, your soul, my
heart, a puppy in a
cardboard box, yet
we all keep coming
back to you.
i think we all know
that even though you
bend and break and
bully the world, you
are the most broken
of all, and i just want
to fix you.
San FranciscoGood lord, how long I've slept this time!
And from what undiluted dream
full of free space and meadows,
brickless and feral,
lost in terrible infant whims,
streaking from trees to the hazel in the dusk,
have I come creaking to this ancient face?
If I ever find le sens de la vie
writhing underleaf in a crooked line of ants
or rippling in a koan made of cigarettes butts
then I’ll go back to San Francisco
and look her beggars in their pupils
and talk to her gypsy witch doctors,
listen to uningestible trumpet masters,
commiserate with the legless street congress,
revisit the subterranean shrine to urine
that sifts through the walkers at 2nd and Market,
and make love to some lost pearl of the Orient.
I’ll interrupt her philosopher queens as they serenade their oracles,
crawl in wretched street machines, carousel coins in rusty slots
that screech down to the wharf of the seal paparazzi
communing with dead architects of gleaming concrete miracles
seed pod.fainting knees
open toward the soul
bump up against morals
tips self control over.
and naked in the flow
river of winter in summery ocean
linen and citrus
side with dignity
earth pulls drapes
wind takes the handle
even the air.
sucked out the windpipe
salt and lungs
with skulls breeding fishes.
brave new stripping
of street attire
stretching tear ducts
to fit around shuddering
hey newton, gravity's flawedi.
starting anew from the flutter
and the sputter of lungs.
a vacant sea filled with feathers
and tumultuous clatter,
ribs in a treacherous pattern
resembling exiting rungs.
i want to wrestle the angels,
your tendency is the ladder.
involved with full indiscretion,
trading lazy for lace.
unspool the curse of the long-
limbs in a languorous flexion
i like the stab of the ankles,
you need the curves intersected.
opting to cull my extents
with trans-dimensional vigor.
spent my dysphoric corrections
on reconnecting lax ends.
lips in a spurious accent
feign a passionate rigor.
i tie myself to the anchor,
you extricate and ascend.
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scheinbar is a much-loved and well-known deviant. Just one look at her gallery, filled with enchanting photography, will have you mesmerized. A deviant for over 7 years, Christiane can always be found posting inspirational features as well as regularly commenting on other deviations and encouraging and empowering her fellow deviants. We are inspired and insist that you too stop by and congratulate ... Read More